Thursday, July 26, 2012

Iturn and return to public speaking

It feels like ages since I spoke at wyd so it was with some trepidation andnervousness that I agreed to hold workshops on social at new youthconf i-turn.

I needn't have worried Jesus Youth (the hosts) are very welcoming and some of the most hospitable people I've met. Even stranger was I went into this blind but I didn't care. Strange because I normally plan every last detail.

This time I just enjoyed it. I am really getting a taste for youth events like this. Adoration was calming. A balm for a busy stressful week and the joyful singing of hymns was great too. I'd praise Jesus just using hymns all day if I could - ok exaggeration but I love hymns.

I came away from i-turn with a few new ideas of what to do with my social media talk, a new way to pray and enriched and touched by the people I met. Now how many people can say that of a weekend?

Friday, December 9, 2011

Pope on advent

Advent is under way, but while I ponder what I have to say on it I leave you with the Pope and his wise words...

Saturday, November 26, 2011

Bishops say prayer for Queen's Jubilee


The bishops of England and Wales have encouraged us to mark the Diamond Jubilee of Queen Elizabeth II at Mass on Trinity Sunday.
In a statement released after their plenary meeting at Hinsley Hall in Leeds, the bishops said: “The Bishops’ Conference requests that on the Solemnity of the Most Holy Trinity, Sunday June 3 2012, each parish will celebrate a Mass with prayers to commemorate the Diamond Jubilee of Her Majesty Queen Elizabeth II.
“During this Mass, the first reading is replaced by 1 Kings 3:11–14 and the Prayer for the Queen, which has been approved by the bishops, is used after the post-Communion prayer and before the final blessing.”
The Prayer for the Queen 
V. O Lord, save Elizabeth, our Queen.
R. And hear us on the day we call upon you.
V. O Lord, hear my prayer.
R. And let my cry come before you.
V. The Lord be with you.
R. And with your spirit.
Almighty God, we pray, that your servant Elizabeth, our Queen, who, by your providence has received the governance of this realm, may continue to grow in every virtue, that, imbued with your heavenly grace, she may be preserved from all that is harmful and evil and, being blessed with your favour may, with her consort and the royal family, come at last into your presence, through Christ who is the way, the truth and the life and who lives and reigns with you in the unity of the Holy Spirit, God, for ever and ever. Amen.
So will you be praying for Her Majesty come Trinity Sunday?

Radio 1 advice: Holy Communion can feed the whole family

It is usual when tuning into Matt Edmondson's show on Radio 1 to expect a bit of banter and silliness, but the episode that aired earlier this week (Nov 23) was a step too far.

In the end item of the show his guest presenter Pete came up with some suggestions to cut costs while feeding yourself and the family. 

Starting with a weird, but inoffensive description of chewing on Groupon vouchers rather than using them, or eating Jamie's cook books to save a few pence the show was its usual weird and wonderful self. However, the tide changed when the puzzlement of what to feed the family on a Sunday arose. 

Mass. That was the suggestion, to take all the family along to a service where there is "as much wine, bread and wafer to feed an army. A good army - not the Taliban" I kid not.

So what was Pete's advice?
"We don't think like Willy Wonka's special popping chocolate the bread and wine change miraculously in our mouths"
"Join the queue for the free bread and free wine. Go up there's no one checking the queues. Get your bread get your win. Go to the straight of the back of the queue and do it all again."

Matt's response: "So it's like an evangelical all you can eat."

Answer: "Yes but obviously you don't have to pay five quid to that Taiwanese man who I suspect is using his business on the Finchley Road as an illegal DVD farm." 

So does this work Pete?

How could Matt even question him: "You get enough free food to feed the entire family. And obviously at a Catholic Church you get more bang for your buck. 

"Even though you're not paying for it, because the bread and the wine transubstantiate into the actual blood and body of Christ as you eat them." 

Just a little aside here, we don't think as Catholics that like Willy Wonka's special popping chocolate the bread and wine change miraculously in our mouths. The actual change occurs at the altar. 

"So on a good day you can end up eating as much as an entire five Christ."

Matt: "Sounds delicious (Kerching sound) some great tips there Pete."

And there it ended. 

"Mass isn't a homeless shelter for the cast of Twilight." 

As a catholic I'm used to also hearing a myriad of explanations of Holy Communion, it's a hard topic to grasp for newbies or non-Catholics. Do we really eat the body and blood of Christ? Do we believe it is really the flesh of God? 

Of course with a little bit of digging and investigation those curious enough to look would find out that in fact we don't join together at weekends for a cannibalistic slash vampire show down, but we gather for a respectful and moving reason - to share in the body and blood of Christ and to remember he died for our sins. 

Well, this still may sound like Hannibal's birthday party to you, but again breaking it down it means plainly that we don't think we're munching on a bit of leg or a hand we believe the bread and wine have changed in substance rather than the physical things we see. 

Mass isn't a homeless shelter for the cast of Twilight. 

Let me explain. You read books? The book is the substance, the meaning of what we read. In fact we're looking at sheets of paper with words printed on - the physical thing. See? No? What about a football? It's substance is a football - something that a game is formed around, its actual just a lump or plastic or leather. 

We put meanings on things all the time. In Mass we believe that the substance of the bread and wine changes, it means something else. That's the best I can explain it. So shoot me.

I'm not stupid enough to think the presenters misunderstand my faith, but it is shocking they can make others believe factual incorrect facts. Personally, I'm used to jokes regarding the Mass and Holy Communion - I don't mind as long as they're in some way respectful and not incorrect. What I heard here was a lazy attempt at understanding the tradition as well as spouting and spreading wrong information. 

I have hard enough time as it is explaining transubstantiation without Radio 1 entering into the fray to hinder my efforts.

Rant over. 



Monday, November 21, 2011

BBC Magazine: Stock Still and Stark naked


Life model Sarah Snee poses for a class
Models need to be fit to keep still for so long

By Jo-Anne Rowney 
BBC News Magazine
Television viewers are getting a taste of how artists go about drawing life models with a series of classes on Channel 4. But what is it like to pose naked for art?
It's cold, all eyes are on you, and you're naked.
It sounds like a recurring nightmare, but this was an everyday occurrence for life model Sarah Snee.
Sarah Snee
 The artists don't view you sexually - they see the body as a series of lines and shadows, a piece of art 
Sarah Snee
Life model
From Leonardo da Vinci to Lucian Freud, artists have always taken their inspiration from the human body by turning to life drawing to understand the naked form. While the painter may get all the attention, on the other side of the canvas is the lesser-known life model.
Sarah started modelling when studying at Slade School of Fine Art, University College London. As a student strapped for cash the allure of making money modelling for art was too much to resist. But there was another motivation - self exploration.
"I was intrigued by the idea of being naked in front of strangers," says Sarah. "Especially at the age of 20 when you're still getting to know your own body and developing your own sexuality. It was a very romantic idea, a bohemian idea."
Artist's gaze
Sarah can recall the first time she modelled, as she met the eyes of the students posed to draw her, she felt self-conscious. Her mind raced with questions.
"My first time was daunting. I was wondering what people thought of my body. Was I attractive enough? Did my bum look big? The things most people would be concerned with.
Lucian Freud's Benefits Supervisor Sleeping
The art world is littered with famous nudes
"I had just got back from holiday and I felt like I'd put on lots of weight. I thought I can't do this, what had I been thinking? But then I realised what I felt was only natural. From then I relaxed and it was easier."
Despite being under the intense scrutiny of a room full of pupils, male and female, Sarah found she quickly became used to being under the artist's gaze.
"It made me feel more confident about my body. I felt liberated. I feel more self-conscious wearing a bikini on holiday with friends than I did when I was naked in front of strangers.
"For me it was a means to channel that exhibitionism. I quite liked getting naked in front of strangers. I find it quite exhilarating, you're the centre of attention and you're enabling people to be creative."
When Sarah decided to become a life model people were intrigued.
"I think some guys liked it. It was a good line to use as a student meeting people in bars. It got people interested and I definitely got a few boyfriends from it."
HISTORY OF LIFE DRAWING
1st Century AD: Roman philosopher Pliny tells of Zeuxis viewing women naked and selecting five to combine to paint an ideal image
1487: Leonardo da Vinci's Vitruvian Man, depicts naked male form as proportionate
1580s: Carraci's art school in Bologna focuses on life drawing
1700s: Students in Jacques-Louis David's studio must master drawing
Some artists see drawing from observation as the pinnacle of the practice, allowing a chance to capture the essence of the form, recreating it in a way that copying a photograph just cannot compare to.
According to artist Alan Kane, life drawing has become less fashionable. Kane, the man behind the Channel 4 series, Life Class: Today's Nude, says life modelling should be viewed as "educational and non-sexualised nudity". However, life modelling has gained some dodgy associations, Sarah explains.
"People say to me isn't life modelling really weird? Isn't it a bit sexual? Of course there are men who have this idea they're all going to draw these naked women and it's going to be thrilling.
"But the artists don't view you sexually. They see the body as a series of lines and shadows, a piece of art."
Michelangelo's David
Depicting anatomy has been a valued skill for centuries
Perhaps a more pressing issue for the typical life model is the cold.
"There's a heater normally, but the worst place was the freezing Canvas Gallery in Islington [in north London]," says Sarah. "They had a gas burner and it blew towards you, it was a little scary. I was paranoid about it blowing up."
As if catching a chill wasn't enough, posing can also be physically challenging. You have to be very fit to remain motionless.
"I think I've got thread veins [small blood vessels near the surface of the skin] prematurely from modelling because you are cutting off the blood supply over long lengths of time.
"I used to get extreme pain, some poses were just agonising. Imagine sitting down and resting on your hand, twisting slightly to the right. There's pain in your wrist, pain in your buttocks and the lower back from the pressure."
There are always bad experiences, but life as a model can also be rewarding. One artist sold paintings of Sarah in a Paris show. A painting was bought by a top buyer, and is currently displayed alongside a Vermeer in the French capital.
With her image holding pride of place in Paris, Sarah feels part of her will live on beyond her years.
"It's nice to think there's a little bit of me that will survive out there somewhere. It's lovely to think my image is out there bringing people happiness."

BBC Magazine: Graveyard etiquette


Claims that tourists have been picnicking on a war grave in Scotland have prompted a hostile reaction from some. But what are the rules for behaviour at a burial ground?
How should you act where there are dead bodies under foot?
When it comes to visiting burial grounds, many people are unsure exactly what is suitable behaviour. While some attend to pay their respects or remember lost loved ones, many visit cemeteries and churchyards for less profound reasons - a leisurely walk, to take in the view or just out of curiosity.
There are codes of conduct - it's just not always clear what these are.
When, last month, a church in Wimbledon, south London, invited motorists to park in its grounds, pictures of cars tightly packed next to headstones prompted outrage in the press. This week, visitors to Culloden Battlefield, near Inverness, were criticised for picnicking where soldiers had died in the 18th Century.
 I fear before long the cemeteries will become some sort of theme park for children's war games 
Letter of complaint to CWGC
Burial ground etiquette is governed by a combination of convention, common sense and the law - both local and national.
The 1977 Local Authority Cemeteries' Order, which applies to England, Scotland and Wales, sets down some basic laws of conduct. Creating a disturbance in a churchyard, committing a nuisance, wilfully interfering with burials or graves, or playing games or sports, are all finable offences.
But the public are rarely aware of the order and, to complicate matters further, other rules are set out in by-laws - local laws that vary from place to place.
Even so, there has always been an underlying understanding - whether you're a mourning relative or just a visitor, says Peter Francis, spokesperson for the Commonwealth War Graves Commission (CWGC).
Unruly children
"The correct behaviour almost dictates itself - most of it is common sense. Visitors are expected to be responsible, dignified and have a respectful manner," says Mr Francis.
Cars parked at St Mary's Chuech
St Mary's had offered the parking service for many years
The CWGC cares for hundreds of thousands of graves and encourages the act of remembrance. Mr Francis lumps playing football and having a picnic together as "inappropriate" behaviour when at a CWGC site. Whether "everyone knows" these rules, as he claims, could be up for debate.
Certainly, not everyone adheres to the unspoken guidelines. And the CWGC's current efforts to host school visits has not pleased everyone.
One recent letter to the commission complained: "[The children] ran about shouting and chasing each other around the graves and climbed all over the monument… I fear before long the cemeteries will become some sort of theme park for children's war games."
While games and dining are out - touching headstones and plaques is acceptable, says Mr Francis.
"[They] were made to be read and looked at - to commemorate lives. It is just a case of knowing when to draw the line."
But Lee Snashfold, director of Kensal Green Cemetery, in London, says the line between what is inappropriate or not changes with society's shifting values.
'Outrageous behaviour'
"There are three types of rules. Firstly the by-laws, secondly the cemetery regulations at each site," explains Mr Snashfold. "Then there are the rules of etiquette - common sense - that's anything that is an inconvenience to the people using the services."
Culloden Battlefield
A family was spotted leaning on a memorial eating scotch eggs
He cites the example of how changes to shop opening hours have had a knock-on effect on how people remember the deceased. Shops used to close mid-week, and families would take the time to visit dead relatives, says Mr Snashfold.
"I suppose there's been a shift away from the tradition, but the underlying expectations and respect is there. It may have eroded over the years, but it will always be there."
Sometimes, though, decorum has clearly been forgotten.
"I've seen some outrageous behaviour," says Mr Snashfold. "There was once a photographer and model who were taking photos without permission. He was clicking away as a service was going on."
Even those who might be expected to know the customs inside out, can find they have misjudged society's views. When, in June, St Mary's church in Wimbledon Village charged tennis fans £20 a day to park in its burial ground, it justified the decision by saying the graves were 200 years old or more. No living relatives would be offended, it said. It also gave the money to charities.
But faced with public distaste, the church called a swift halt to the scheme.
No matter how much time has elapsed it should not affect conduct, says Canon Tim Barker.
"Churchyards are still special places - consecrated ground - whether a grave is a year old or from the 1840s, whether there are living relatives or not."
Some churchyards do fall into a state of disrepair; in Horncastle, Lincolnshire, a town church has become an antiques centre. The surrounding graveyard is now used as a public area, so the accepted conduct is more lenient.
"If a churchyard is closed for burials it may affect the public's view," says Canon Barker. "But most people know it is still somewhere to be respected and naturally adapt their behaviour."
This article appeared on the BBC Magazine website on 18 July 2009.

Friday, November 18, 2011

Circus tutor teaches gangs in Colombia how to juggle


AN ACTOR who was a West End puppeteer has brought back the lessons he learnt from teaching circus skills in Colombia to London estates.

Greg Bartlett, 23, now a workshop leader with Albert and Friends in Hammersmith, began teaching at 16 and has worked a puppeteer in War Horse.

The performer said: “I love acting and teaching equally. War Horse was a great opportunity, and I loved it, but working with kids is amazing. But being there with the kids in Cali, Colombia was far more rewarding than any amount of great reviews or applause we got on stage.”

Greg decided after starring in the West End show to take the performing skills he learnt as a child to one of the roughest areas of Colombia, known for its gun crime and violence.

He said: “I love working with kids so I got in contact with the group who work out there with the kids and somehow persuaded them to let me join them.

“I had to raise £2000 to get out there and I managed to raise £3000 so I donated the extra money to charity and bought unicycles for the charity in Colombia.”

The young teacher ran lessons in el Distrito de Aguablanca, in Cali, Colombia one of the roughest areas. Nearly all of the children Greg taught had lost a family member to the violence.

He said: “One of my friends when I was out there got shot. It was a shocking reality that this was the life these kids would lead. A lot of the boys would carry knifes and gun crime was extremely high there.

“The problem was these gangs seemed like the only option. Education was very poor out there. They saw that it was easy to get money through gangs.

Greg joined what is seen as the world’s only professional circus school for street children allowing some to go on and earn a living, pay for a four year schooling programme and for them to move their whole family.

He said: “These kids had no love or support. The circus was the alternative to all that.  Some of the kids had not even spoken to each other as they were from different gangs. They were hostile as they came from different areas, but then at the lessons they suddenly were like a family as they came together.”

Greg worked with the Circo para Todos in the Agua Blanca slums providing English lessons, and circus skills workshops.

He said: “I ran workshops in some of the most vulnerable areas where the kids cannot afford to go to school, they run around in the streets carrying knives for protection because they feel like there is no other way.

“A lot of them were positive about learning new skills, they respected me because I could do something cool.”

The enthusiastic workshop leader says that the classes had a grander aim of instilling in the children self-confidence and the belief they could work their way of out slum life.

He said: “The classes gave them wider skills like time keeping and build their self-esteem. It was an outlet for creativity. They learnt that they didn’t have to be the big man in front of the other kids they could just be children.”

While out there Greg also worked with the Sio Way Orchestra, a group who teach children how to play an instrument.

Greg said: “It was amazing. They’d given them instruments to keep them off the streets. I’d never heard someone playing a violin that had just picked it up and learnt it from scratch like that. It was raw.”

Returning from Cali he joined Albert and Friends as workshop leader bringing his experiences from Colombia to London Estates and behavioural centres. Greg works on Wood Lane estate every Friday teaching children how to juggle, walk on stilts and general circus skills.

He said: “I suppose we face similar problems here with crime, knives and guns, but we have more options, it’s easier to find a way out.

“Children on the estates get involved but I’d say the kids in Cali had a respect for their teacher and a thirst for learning that maybe I don’t see as much of here. Kids wherever you are in the world don’t believe in themselves, I try and inspire them.”

Despite having just come home Greg says he misses the Cali children already and is grateful to them for teaching him so much.

He said: “They taught me more than I could ever teach them. They taught me not to be scared. A lot of the time you can be scared.

“There is no need. As long as you keep alert and alive there is nothing you cannot do. They made me see how important it is to inspire the young.”

 
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